Andreas Schmid

Alice Dittmar, shadowplay_screens III, 2021-23
Looking for Parallels-Gallery in: Tracks & Traces, 2023, KV Neuenhausen, tape, string, light installation, photography
Alice Dittmar, moon series, 2022
Corridor composition, in: Colour Image Space – Bart van der Leck in Dialogue, Siza Pavilion, Raketenstation Hombroich, 2023, site-specific spatial drawing, tape, string
Alice Dittmar, shui, 2015, floorpiece 16-parts
Clearance-Halifax, in: Responsive: International Light Art Project, Dalhousie Art Gallery, Halifax, Nova Scotia, CAN, 19 neon tubes, electronic control, 15-minutes-loop
Lives and works in Berlin, Germany
Born 1955 in Stuttgart, Germany

About

“Andreas Schmid’s artistic work is primarily situational and temporal. He treats existing spaces as transitory locations, as sites of transition between external and internal perception that reveal themselves as the observer moves within the space. Schmid’s work could be called performative, as it focuses on possibilities— not just describing the existing architectural structures, but making visible and tangible the spaces hidden behind them, present in a latent state…. In his location-dependent, space-specific and conceptually developed installations, Andreas Schmid commonly brings together various media: light, drawing, sculptural stretched material, photography and temporary drawing-based interventions in public and natural spaces. In the language of the basic ideas of his exhibitions, spatial lines, colored neon tubes with electronically controlled light intensities and rhythms and landscape photography represent the virulent, the ephemeral, the ever-changing nature of aesthetic experience in the act of traversing space, a moment of transitioning and potential…”
— Renate Wiehager in: Andreas Schmid, Light as Drawing in Space, catalogue, edited by Renate Wiehager for Daimler AG, Daimler Art Collection, Elanders Germany GmbH, Germany 2018